Vernon Fisher

This volume is the first monograph on Vernon Fisher's work since 1989, and it presents the most comprehensive survey of his art from the early 1970s until 2009, with an emphasis on his mature work. It reproduces twenty suites of Fisher's work, including Hills Like White Elephants, Parallel Lines, Lost for Words, Brainiac, Movements Among the Dead, and Swimming Lesions. In her introduction, Frances Colpitt deftly situates Fisher's work in the context of postmodernism's radical transformation of art, tracing his affinities with artists such as Cy Twombly and Robert Rauschenberg.